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A Night at the Black Olive

Mary Not Wollstonecraft

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A Night at the Black Olive

The door to the Black Olive is real oak, none of the prefab bullshit. It takes deliberate effort to push it open. Ariel Whitestone palms the brass handle and leans in with enough force to send the door shuddering on its hinges.

The racket of the wood groaning, metal singing against steel, slices into the dim hush of the bar. Snapping three men at the corner table out of their hushed-voiced conversation. The bartender glances up from his glass, expression stony.

Flynne follows, one delicate hand clutching the crook of Ariel’s arm. Her knuckles are pale as bone, but her nails are perfectly French-manicured. A detail not lost on any of the four men now ogling her with equal parts suspicion and anticipation.

After all, it is nearly two in the morning, and the Black Olive is not the sort of place frequented by women of the color, class, or style of Flynne Whitestone, much less at this hour, even fewer on the arm of a man like Ariel.

The air is thick, fermented. The door’s clatter lingers for an instant, and is swallowed up by the thrum of jazz on the stereo, the whispery pull of liquor through lips. The only thing more still than the room itself is Ariel’s posture, his shoulders squared, head high, the tailored suit cutting a clean, implacable line from his neck to his ankles.

Pausing inside the threshold, he surveys the bar’s interior with the indifferent authority of a man who expects the world to arrange itself for his pleasure.

His gaze passes once over the bartender, once over the three men at the table, and returns to Flynne with a proprietary softness, almost like affection, until you notice the calculation in his eyes.

Flynne steps closer, pressing her chest to his bicep. She’s dressed in a deep blue sheath, which would be demure on anyone else, but on her, the high hem and plunging neckline suggest a dare rather than modesty.

Her chestnut hair is loose, styled in waves, and frames her face, cascading past her shoulders. Ariel’s palm splays against the small of her back, above the subtle curve of her ass, guiding her forward like a show dog on a leash.

They advance together, slow and unhurried. With every step, the room’s temperature ratchets up a degree. The three men at the table—two in their thirties, one closer to Ariel’s age—track Flynne’s every movement, their breathing subtly altered. The bartender, a slab-faced man in a short-sleeved Oxford, sets his glass aside and leans in, arms crossed atop the polished mahogany.

Ariel stops a meter from the bar. “Evening, gentlemen,” he says, voice a butter-smooth, baritone it could be mistaken for an afterthought. The group’s attention is his without contest. He glances at the bartender’s name tag: Marcus.

“Sorry, folks,” Marcus says, deadpan. “We’ve already had last call.”

Ariel produces a smile—slow, carnivorous, with a practiced hint of regret. “That’s a shame. My wife here has been dreaming of your old-fashioned house for weeks. You don’t want to disappoint a birthday girl, do you?” His hand tightens fractionally on Flynne’s back, pressing her forward until she’s almost flush with the bar top.

Marcus regards Flynne—really ogles, this time—taking in the full lips, the inviting cut of her dress, her legs go on forever in thin stilettos. “House rules,” he says, but there’s a catch in the phrase, as if the words are an old habit, which lost its meaning.

Flynne turns on her best wild-eyed, ingenue charm. “Please, sir?” she says, tone lilting and breathless. “I’ve been so good all night. One drink? For my birthday?” She pronounces it “burrth-day,” a childhood affectation Ariel has taught her to weaponize.

The table of men chuckle, one of them louder than the others—an enormous man in a letterman’s jacket decades out of date. “Let her have a drink, Marcus,” he says. “It’s not every day we get company like this.”

Marcus gives in with a shrug and preps the drink, hands moving with the mechanical grace of a man who could do this blindfolded. Ariel nods once in satisfaction, pivots to face the table of men. They’re eyeing Flynne, but now they’re also spying on him. Sizing up this middle-aged, silver-fox interloper. All the while, wondering what it is that lets him walk into their bar and take over.

Ariel lets the tension stretch before closing the distance. “Ariel Whitestone,” he says, extending a hand first to the oldest of the three. “And this is my lovely wife. The birthday girl, my wife, Flynne.” He’s careful to let the possessive hang in the air long enough to shift the balance of attention.

The older man, Deon, takes Ariel’s hand with a firm but not challenging grip. His gaze flicks from Ariel to Flynne and back, registering some unspoken communication.

“Deon,” he says, gesturing to the others. “Jamal, Terrence.” Jamal nods, eyes lingering on Flynne with undisguised appreciation. Terrence grins and raises his glass, silent so far; his ogle does his talking.

Ariel turns to Flynne, smoothing a stray hair from her cheek.

“Introduce yourself, Butterfly.” The nickname is both endearment and command.

Flynne beams, her smile incandescent. “I’m Flynne,” she says, letting the name hang and repeating it, slower, savoring the sound. “F-L-Y-N-N-E. It’s Welsh, apparently.” She giggles, a sound lightening the whole bar. “Ariel says it’s unique. Like me.”

Deon is the first to respond.

“That so?” He leans back in his chair, arms folded. “You don’t look Welsh, sweetheart.”

“I don’t?” Flynne blinks, puts on a mock pout. “Well, I guess I’ll have to try harder.” She runs her tongue over her teeth, flashes another smile.

Marcus slides the drink across the bar to Ariel, who hands it to Flynne. She lifts the glass and sniffs it theatrically before taking a cautious sip.

“Oh my god, wow, so strong,” she says, face scrunching up in a way part innocence and invitation.

Ariel gazes at her as she sips her drink, his own smile softening as she shudders and takes another, braver sip.

“She’s not much for whiskey, but she’s learning,” Ariel says to the table, as if they’re all old friends sharing a private joke.

Jamal leans in, elbows on the table.

“What brings you two out tonight? This ain’t exactly the Ritz.” His voice is sharp, accented with city grit.

Considering the question for a moment, Ariel’s eyes half-lidded, he says, “We’re celebrating. New beginnings.” He lets the phrase dangle, ambiguous. “And I find it useful, from time to time, to experience life outside the echo chamber.”

The three men exchange glances. Deon raises an eyebrow. “Echo chamber?”

Sipping the whiskey Marcus pours him without his asking, Ariel shrugs.

“My world is… insulated. Private clubs, gated neighborhoods, dinners with people who agree with each other. It’s sterile, you know?” He gestures around the bar, encompassing the wood, the grit, the people. “I missed the smell of sweat and cheap beer. The unpredictability.”

 

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