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When the state highway to Rutland is closed, travelers are forced to take the old Stillwater road past Swamp Hollow. The scenery is superb in places, yet somehow the route has been unpopular for years. There is something depressing about it, especially near Stillwater itself. Motorists feel subtly uncomfortable about the tightly shuttered farmhouse on the knoll just north of the village, and about the white-bearded half-wit who haunts the old burying-ground on the south, apparently talking to the occupants of some of the graves.

Not much is left of Stillwater, now. The soil is played out, and most of the people have drifted to the towns across the distant river or to the city beyond the distant hills. The steeple of the old white church has fallen down, and half of the twenty-odd straggling houses are empty and in various stages of decay. Normal life is found only around Peck's general store and filling-station, and it is here that the curious stop now and then to ask about the shuttered house and the idiot who mutters to the dead.

Most of the questioners come away with a touch of distaste and disquiet. They find the shabby loungers oddly unpleasant and full of unnamed hints in speaking of the long-past events brought up. There is a menacing, portentous quality in the tones which they use to describe very ordinary events—a seemingly unjustified tendency to assume a furtive, suggestive, confidential air, and to fall into awesome whispers at certain points—which insidiously disturbs the listener. Old Yankees often talk like that; but in this case the melancholy aspect of the half-moldering village, and the dismal nature of the story unfolded, give these gloomy, secretive mannerisms an added significance. One feels profoundly the quintessential horror that lurks behind the isolated Puritan and his strange repressions—feels it, and longs to escape precipitately into clearer air.

The loungers whisper impressively that the shuttered house is that of old Miss Sprague—Sophie Sprague, whose brother Tom was buried on the seventeenth of June, back in '85. Sophie was never the same after that funeral—that and the other thing which happened the same day—and in the end she took to staying in all the time. Won't even be seen now, but leaves notes under the back-door mat and has her things brought from the store by Ned Peck's boy. Afraid of something—the old Swamp Hollow burying-ground most of all. Never could be dragged near there since her brother—and the other one—were laid away. Not much wonder, though, seeing the way crazy Johnny Dow rants. He hangs around the burying-ground all day and sometimes at night, and claims he talks with Tom—and the other. Then he marches by Sophie's house and shouts things at her—that's why she began to keep the shutters closed. He says things are coming from somewhere to get her sometime. Ought to be stopped, but one can't be too hard on poor Johnny. Besides, Steve Barbour always had his opinions.

Johnny does his talking to two of the graves. One of them is Tom Sprague's. The other, at the opposite end of the graveyard, is that of Henry Thorndike, who was buried on the same day. Henry was the village undertaker—the only one in miles—and never liked around Stillwater. A city fellow from Rutland—been to college and full of book learning. Read queer things nobody else ever heard of, and mixed chemicals for no good purpose. Always trying to invent something new—some new-fangled embalming-fluid or some foolish kind of medicine. Some folks said he had tried to be a doctor but failed in his studies and took to the next best profession. Of course, there wasn't much undertaking to do in a place like Stillwater, but Henry farmed on the side.

Mean, morbid disposition—and a secret drinker if you could judge by the empty bottles in his rubbish heap. No wonder Tom Sprague hated him and blackballed him from the Masonic lodge, and warned him off when he tried to make up to Sophie. The way he experimented on animals was against nature and Scripture. Who could forget the state that collie dog was found in, or what happened to old Mrs. Akeley's cat? Then there was the matter of Deacon Leavitt's calf, when Tom had led a band of the village boys to demand an accounting. The curious thing was that the calf came alive after all in the end, though Tom had found it as stiff as a poker. Some said the joke was on Tom, but Thorndike probably thought otherwise, since he had gone down under his enemy's fist before the mistake was discovered.

Tom, of course, was half drunk at the time. He was a vicious brute at best, and kept his poor sister half cowed with threats. That's probably why she is such a fear-racked creature still. There were only the two of them, and Tom would never let her leave because that meant splitting the property. Most of the fellows were too afraid of him to shine up to Sophie—he stood six feet one in his stockings—but Henry Thorndike was a sly cuss who had ways of doing things behind folk's backs. He wasn't much to look at, but Sophie never discouraged him any. Mean and ugly as he was, she'd have been glad if anybody could have freed her from her brother. She may not have stopped to wonder how she could get clear of him after he got her clear of Tom.

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Well, that was the way things stood in June of '86. Up to this point, the whisperers of the loungers at Peck's store are not so unbearably portentous; but as they continue, the element of secretiveness and malign tension grows. Tom Sprague, it appears, used to go to Rutland on periodic sprees, his absences being Henry Thorndike's great opportunities. He was always in bad shape when he got back, and old Doctor Pratt, deaf and half blind though he was, used to warn him about his heart, and about the danger of delirium tremens. Folks could always tell by the shouting and cursing when he was home again.